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OM System OM-1 Assessment | Pictures Weblog


Introduction

The OM-1 is the model new range-topping skilled mannequin in Olympus/OM System’s well-established Micro 4 Thirds mirrorless digicam system.

It is the primary mannequin to be launched beneath the OM System banner, after Olympus offered their digicam division to OM Digital Options GmbH in 2020.

By way of the place it sits throughout the Olympus/OM System digicam line-up, the brand new OM-1 is positioned because the flagship digicam, above each the a lot bigger E-M1X and the equally sized E-M1 III fashions.

The totally weather-proof OM System OM-1 has a model new 20.4 megapixel stacked BackSide Illuminated (BSI) sensor, new TruePic X processor, and a tremendous 5-axis in-body picture stabilisation system that gives as much as an unbelievable 8 steps of compensation.

Different standout options embody 50fps burst capturing with steady AF/AE or 120fps with out, Cinema 4K video recording at 60p and 1080p at 240fps, 1053-point all-cross-type Twin Part and Distinction Detection AF system that may moreover recognise autos, a 5,760K-dot digital viewfinder, a 1,620K dot vari-angle LCD touchscreen, twin UHS-II SD-card slots, and 50 megapixel Handheld Excessive-Res Shot and 80 megapixel Tripod Excessive-Res Shot modes.

The OM System OM1 is made in Vietnam and is out there now in black solely. It’s priced at £1999 / $2199 body-only within the UK and US, respectively, which is £200 / $400 greater than the earlier E-M1 Mark III mannequin was at launch.

Ease of Use

The OM System OM-1 seems to be an awfully lot like its 3-year-old predecessor, the Olympus EM-1 Mark III, with a lot of the enhancements being made to the within of the digicam slightly than to the surface.

The OM-1 weighs in at 511g physique solely and measures 138.8 x 91.6 x72.7mm, a complete 7g heavier and ever so barely larger than the earlier mannequin. You may’t use the identical vertical grip on each fashions, although, with the HLD-9 being outdated by the brand new HLD-10.

Identical to the unique E-M1, which was launched means again in 2103, this new digicam additionally boasts a troublesome dust-, drip- and freeze-proof magnesium alloy physique, however it’s now even harder because it’s rated within the extra stringent IP53 dustproof and splashproof safety class, which implies that it’s protected towards spraying water when tilted as much as a 60-degree angle.

When used along with a equally weatherproof lens, the OM-1 ought to face up to most issues that you just care to throw at it.

The OM System OM-1 is now outfitted with impartial AEL and AF-ON buttons, which is absolutely the one notable exterior distinction between it and the Olympus EM-1 III.




OM System OM-1

In any other case, the 2 cameras are just about nigh-on an identical when it comes to their management format.

The Olympus E-M1 III has a generously sized hand-grip which makes it straightforward to get a agency maintain on the digicam with three fingers while working the shutter button along with your proper forefinger.

The hand grip and certainly a lot of the entrance of the digicam is roofed in a leatherette-like textured materials. There are two buttons subsequent to the left of lens mount. By default these controls are assigned to one-touch white steadiness and depth-of-field preview however, like nearly every thing else on the OM-1, they are often reprogrammed to carry out completely different duties if you happen to so want.

The OM-1 has an improved digital viewfinder and vari-angle LCD display mixture. The brand new OM-1 carries over the 1.65x magnification of the E-M1X however considerably will increase the decision to a formidable 5,760K-dots. It additionally makes use of OLED slightly than LCD know-how. And whereas the older E-M1X and E-M1 III each have a 1,040K-dot decision LCD screens, the brand new O-M1 has a barely higher 1,620K-dot display.

On the highest of the digicam, to the left of the viewfinder housing (when considered from above and behind) there’s a cluster of controls comprised of two raised buttons and an influence swap. Every of the 2 buttons offers entry to 2 units of settings.




OM System OM-1

Press the primary one and you may alter the digicam’s drive modes and flash settings with the rear and entrance management dials, respectively. Hit the second and you may cycle by the assorted focus and metering modes provided by the digicam. The position of the on/off swap implies that it’s essential use your left hand to activate the digicam.

Transferring over to the opposite aspect of the viewfinder hump, we discover a conventional capturing mode dial with a helpful locking pin within the center. On the OM-1 the mode dial locks with one press of the locking pin and unlocks with a second press, which is a intelligent thought.

The dial itself affords the standard P, A, S and M modes, plus a Bulb and devoted Film mode and separate positions for 4 separate Customized modes for fast entry of customized settings banks, or Mysets in Olympus parlance.

The OM System OM1 inherits the nonetheless modern 2×2 Twin Management system from its predecessors. That is comprised of two top-mounted management dials and a operate lever on the rear that’s fairly straightforward to achieve along with your proper thumb.

The operate lever has two settings. Within the first place, transferring the management dial on the entrance of the digicam adjusts the aperture whereas the dial on the again adjusts the shutter velocity. On the second setting, the dials change the ISO worth and white steadiness respectively.




OM System OM-1

You can too configure the swap’s operation too – for instance, you may flip it right into a helpful AF/MF toggle if that makes extra sense to you.

The remaining controls on the digicam’s high plate embody the already talked about shutter launch button, plus a devoted Film Document button and an Publicity Compensation button.

There is a helpful ISO button on the rear proper shoulder and likewise a small however tactile multi-selector joystick that makes it straight-forward to shortly transfer the AF level utilizing your right-hand thumb while holding the digicam as much as your eye.

The rear of the digicam is dominated by a big, vari-angle rear touchscreen which may be tilted to the aspect and rotated to the entrance for simpler selfies. This LCD panel has the next decision, 1,620K dots, than its predecessor, and capacitive touchscreen know-how.

The Data, Menu, Playback and Delete buttons have all been carried over from the earlier mannequin in precisely the identical areas. The Menu button is positioned over to the far-left of the viewfinder alongside the Show button.




OM System OM-1

The OM1 has a a lot improved menu display configuration that has been fully redesigned to make it simpler to seek out the specified features, and make altering settings simpler for first-time customers. It even tells you why some menu gadgets are greyed-out and unavailable!

On the proper is a separate AEL button encircled by the afore-mentioned operate lever, with the brand new AF On button alongside it, which is the primary ergonomic change when in comparison with the EM-1 III.

The OM-1 makes do with no built-in pop-up flash, and sadly now not comes bundled with the tiny FL-LM3 flash unit which clips into the exterior flash hotshoe.

You may nonetheless use extra highly effective system flashes with the OM1, such because the highly effective FL-900R, the FL-36R, the FL-600R or the FL-50R, however these are in fact offered individually.

The OM System OM-1 makes use of a brand new BLX-1 battery which is completely different to the BLH-1 used within the earlier E-M1 III digicam, so you may’t stick with it utilizing all your previous batteries if you happen to improve. This offers as much as 520 nonetheless pictures or 160 minutes of video, a rise of 25% in comparison with the E-M1 III.




OM System OM-1

The OM1 additionally offers the power to cost it on the go through the USB port and likewise energy it utilizing an exterior energy financial institution, two options that we’re seeing an increasing number of of on latest cameras.

Word that there isn’t any exterior battery charger included within the field, so the one strategy to cost it’s through USB with the battery within the digicam, except you buy the elective OM System BCX-1 Battery Charger which might cost two batteries without delay.

There may be sufficient room for twin reminiscence card slots on the OM-1, and fortunately each of them now assist the quickest UHS-II commonplace, which ought to assist the digicam sustain with all these high-speed bursts.

The OM System OM-1 is provided with a model new picture sensor which focuses on out and out velocity.

It continues to supply precisely the identical 20-megapixel decision because the EM-1 Mark III, which can seemingly disappoint these searching for a rise in decision, particularly as Panasonic have just lately made the bounce to 25 megapixels of their GH6 mannequin.




OM System OM-1

The primary improve is the sensor know-how that the OM1 makes use of. With a stacked, BackSide Illuminated (BSI) sensor at its coronary heart, the OM-1 can shoot way more shortly than its predecessor, which was itself no slouch, while additionally providing better dynamic vary and improved noise efficiency.

That is the primary ever Micro 4 Thirds digicam to make use of a Stacked BSI sensor, a design that a number of full-frame cameras additionally use, notably the Canon EOS R3 and Nikon Z9 and Sony Alpha A1.

The native ISO vary of each the E-M1X and E-M1 III was 200 to 25,600, which might be expanded all the way down to ISO 64. The native ISO vary of the brand new OM-1 is 200 to 102,400, which may be expanded all the way down to ISO 80, so it has a barely larger base sensitivity than the older fashions however considerably affords two stops extra on the excessive finish.

The OM1 has a model new picture processor, dubbed TruePic X, which in addition to enabling important enhancements to the digicam’s velocity, additionally enhances its AI computational options. This new digicam can now acknowledge components vehicles, bikes, airplanes, helicopters, trains, and birds, in addition to animals (canines and cats).

Along with having the ability to recognise and observe a wider vary of topics, the OM1 has a drastically enhanced AF system which OM System have dubbed as Cross Quad Pixel AF.




OM System OM-1

The brand new sensor has a quad-division photograph diode configuration which permits for on-chip Part Detection AF in each vertical and horizontal instructions. This offers a whopping 1053 all-cross-type factors that cowl 100% of the body and is able to working all the way down to -8EV low gentle at F1.2, with the power to select from all factors to setup your individual customized AF layouts.

The brand new system is claimed to be 2x extra correct and 3x quicker than the one on the E-M1 III.

The Olympus E-M1 III might shoot a formidable 18 full-resolution frames per second with steady autofocus/autoexposure when utilizing the digital shutter, or 50fps with AF/AE locked to the primary body of the sequence.

The brand new OM System OM-1 takes issues to a different degree fully, offering 50fps blackout free steady capturing with full AF/AE monitoring at full decision, and as much as 120fps with the AF/AE locked on the first body, making it one of many quickest, if not the quickest, cameras available on the market.

Word that these spectacular speeds are solely achievable when utilizing the digital shutter. If you wish to use the mechanical shutter, you are extra restricted to a nonetheless very speedy 18fps, which is barely quicker than the EM-1 III’s 15fps.




OM System OM-1

Moreover, the OM1 has an improved Silent mode, by which it makes use of an digital shutter able to high-speed steady capturing at as much as 20fps with full AF/AE monitoring, though there may be some blackout between frames.

The shutter life is rated at 400,000 actuations, precisely the identical because the earlier mannequin. Word that that is for mechanical actuations, not digital, so if you happen to shoot at 50fps when utilizing the digital shutter, it will not really have an effect on the shutter depend.

The OM System OM-1’s additional improved 5-axis in-body picture stabiliser works in tandem with the in-lens stabilisation system included into sure lenses to offer a claimed 8-stop benefit when capturing hand-held, surpassing most different cameras that we have ever examined, together with the earlier Mark III mannequin.

The vast majority of 4 Thirds lenses do not characteristic sync IS, however the OM-1 nonetheless makes use of its in-body stabilization to supply a whopping 7.0 stops of compensation, nonetheless surpassing most different cameras.

It might additionally use its glorious 5-axis sensor-shift picture stabiliser while capturing video, which interprets into surprisingly clean hand-held footage, even when utilizing a medium telephoto lens.




OM System OM-1

The OM1 is markedly higher than its predecessor when it comes to video efficiency. It might now report video at C4K/60p high quality, in contrast with C4K/24p on the older E-M1 III and E-M1X fashions, while Full HD now goes as much as 240fps (up from 120fps).

The OM-1 lastly additionally helps H.265 (10bit) in addition to the H.264 (8bit) commonplace that the E-M1X and E-M1 III supported, in addition to RAW knowledge output as much as 12 bit 4:4:4 to exterior units and a brand new HLG (Hybrid Log Gamma) mode.

Handbook publicity may be enabled for movies, though you do need to rotate the mode dial to the Film place to reap the benefits of this. You can begin filming in virtually some other capturing mode too, however in that case, movies will at all times be recorded with auto publicity.

The OM-1 affords the flat OM-Log profile for extra versatile color grading in post-production and modifying. It additionally has a devoted 3.5mm mic jack on the physique for higher sound recording in addition to a headphone jack for monitoring the audio.

The intelligent Excessive Res Shot capturing mode has been retained, with the OM-1 able to capturing 50 megapixel pictures within the Handheld Excessive-Res Shot mode and 80 megapixels within the Tripod Excessive Res Shot mode. It is now quicker than the earlier mannequin, although, taking about 5 seconds to merge the pictures, and noise has been decreased by roughly 2 stops.

One other intelligent characteristic that will also be employed handheld is Dwell ND, which makes use of the same technique of merging a number of exposures collectively, however this time to seize pictures utilizing a slower shutter velocity in daylight.




OM System OM-1

Historically you’d want to suit a glass ND filter in entrance of the lens to attain this impact, however right here it is so simple as deciding on the Dwell ND choice and selecting from the 6 ranges on provide, working from ND2 (1 step) to ND64 (6 steps), which is 1 cease higher than the E-M1 III.

It is not fairly as highly effective as becoming one thing like a Lee Huge Stopper 10-step filter, however having the ability to obtain for much longer exposures just by selecting a menu choice while hand-holding the digicam and even previewing the impact within the viewfinder or LCD display earlier than seize is extraordinarily liberating.

Word that it would not work with flash, although, so you may nonetheless want a glass ND filter to overpower the solar when capturing open air.

As its identify suggests, the Starry Sky mode helps to keep away from errors which might be generally made when manually specializing in the evening sky, with the OM-1 utilizing luminance info gathered by the sensor as an alternative of counting on its part detection or distinction AF methods to attain correct focus.

Utilizing this mode, you may even dispense with a tripod altogether if you want, with focusing sensitivity all the way down to -3.5 EV, whereas the brand new evening view mode makes it attainable to view topics even in darkish environments.

The OM-1 continues to make use of the identical very efficient supersonic wave filter for mud discount as employed on the E-M1 III, which vibrates at a velocity of greater than 30,000 instances per second to immediately take away grime and mud from the picture sensor.

Picture High quality

All the pattern pictures on this evaluation had been taken utilizing the 20M Superfine JPEG picture measurement choice, which produces a mean picture measurement of round 12Mb.

The GH6 is the primary OM System Micro 4 Thirds digicam to push previous the 20 megapixel barrier, utilising a model new 25.2-megapixel Dwell MOS Sensor with no low-pass filter.

The OM System OM-1 produced pictures of excellent high quality in the course of the evaluation interval. It produces noise-free pictures at ISO 100 to 1600, with restricted noise beginning to seem at ISO 3200. ISO 6400 and 12800 exhibit fairly seen noise and lack of tremendous element, whereas the quickest setting of 25600 seems to be significantly better on paper than in actuality.

The assorted Photograph Kinds and Filters help you shortly and simply customise the look of the digicam’s JPEG and Uncooked pictures earlier than you’re taking them. The evening {photograph} was glorious, with the utmost shutter velocity of 60 seconds and Bulb mode of as much as half-hour permitting you to seize loads of gentle.

The Excessive Decision Mode efficiently creates a lot bigger 50 or 100 megapixel pictures and may be employed when the digicam is mounted on a tripod and likewise hand-held. It is nonetheless greatest reserved to be used with non-moving topics.

Noise

There are 12 completely different ISO settings out there on the OM System OM-1 which you’ll be able to choose at any time if the digicam is in one of many inventive capturing modes. Listed below are some 100% crops which present the noise ranges for every ISO setting for each JPEG and RAW codecs.

JPEG

RAW

ISO 80 (100% Crop)

ISO 80 (100% Crop)

iso80.jpg iso80raw.jpg

ISO 100 (100% Crop)

ISO 100 (100% Crop)

iso100.jpg iso100raw.jpg

ISO 200 (100% Crop)

ISO 200 (100% Crop)

iso200.jpg iso200raw.jpg

ISO 400 (100% Crop)

ISO 400 (100% Crop)

iso400.jpg iso400raw.jpg

ISO 800 (100% Crop)

ISO 800 (100% Crop)

iso800.jpg iso800raw.jpg

ISO 1600 (100% Crop)

ISO 1600 (100% Crop)

iso1600.jpg iso1600raw.jpg

ISO 3200 (100% Crop)

ISO 3200 (100% Crop)

iso3200.jpg iso3200raw.jpg

ISO 6400 (100% Crop)

ISO 6400 (100% Crop)

iso6400.jpg iso6400raw.jpg

ISO 12800 (100% Crop)

ISO 12800 (100% Crop)

iso6400.jpg iso6400raw.jpg

ISO 25600 (100% Crop)

ISO 25600 (100% Crop)

iso6400.jpg iso6400raw.jpg

ISO 51200 (100% Crop)

ISO 51200 (100% Crop)

iso6400.jpg iso6400raw.jpg

ISO 102400 (100% Crop)

ISO 102400 (100% Crop)

iso6400.jpg iso6400raw.jpg

File High quality

The file high quality settings out there on the OM System OM-1 embody Regular, Tremendous and Superfine for JPEGs, and you too can shoot in Olympus’s proprietary ORF uncooked file format.

Superfine (12.6Mb) (100% Crop)

Tremendous (7.7Mb) (100% Crop)

quality_fine.jpg quality_normal.jpg

Regular (4.9Mb) (100% Crop)

RAW (17.9Mb) (100% Crop)

quality_raw.jpg quality_raw.jpg

Excessive Decision Shot

The OM System OM-1 can create an 80, 50 or 25 megapixel JPEG or RAW file within the Excessive Decision Shot mode, achieved by shifting the sensor in half-pixel steps and capturing eight pictures over a interval of 1 second.

There’s additionally a handheld 50 or 25 megapixel Excessive Decision Shot mode, so do not need to mount the digicam on a tripod or different secure floor to acquire sharp outcomes.

Off (100% Crop) On/Tripod/80M (100% Crop)
high_res1.jpg high_res1a.jpg
On/Handheld/50M (100% Crop)
high_res2.jpg

HDR

high_res2.jpg

Off

high_res2.jpg

HDR1

high_res2.jpg

HDR2

A number of Publicity

high_res2.jpg

Off

Image Modes

Olympus’ Image Modes are primarily pre-set combos of saturation, distinction and sharpness, aside from the i-Improve mode that goals to optimise every photograph individually. You may tailor every Image Mode to your wants.

i-Improve

Vivid

picture_modes_01.jpg picture_modes_02.jpg

Pure

Muted

picture_modes_03.jpg picture_modes_04.jpg

Portrait

Monochrome

picture_modes_05.jpg picture_modes_06.jpg

Artwork Filters

The Olympus OM-D E-M1 Mark III affords 16 ‘artwork filters’, which let you shortly apply an inventive impact to a photograph earlier than taking it.

Evening

The OM System OM-1 affords publicity instances so long as 60 seconds in a metered publicity or as much as half-hour in bulb mode, which is good news for anybody severely fascinated about evening images.

Dwell Bulb mode permits you to view the development of publicity throughout a bulb publicity in real-time and a dwell view histogram exhibits how the publicity is built-up throughout all factors of the picture.

iso6400.jpg

Pattern Pictures

This can be a collection of pattern pictures from the OM System OM-1 digicam, which had been all taken utilizing the 20 megapixel Superfine JPEG setting. The thumbnails beneath hyperlink to the full-sized variations, which haven’t been altered in any means.

Pattern RAW Pictures

The OM System OM-1 allows customers to seize RAW and JPEG format information. We have offered some OM System RAW (ORF) samples so that you can obtain (thumbnail pictures proven beneath aren’t 100% consultant).

Pattern Motion pictures & Video

This can be a pattern film on the high quality setting of 3840 × 2160 pixels at 60 frames per second. Please observe that this 16 second film is 248Mb in measurement.

This can be a pattern film on the high quality setting of 3840 × 2160 pixels at 60 frames per second. Please observe that this 16 second film is 247Mb in measurement.

This can be a pattern film on the high quality setting of 3840 × 2160 pixels at 60 frames per second. Please observe that this 21 second film is 315Mb in measurement.

Product Pictures

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Conclusion

Many impartial observers and devoted Olympus followers alike might effectively have puzzled simply what the brand new OM Digital Options firm can be able to delivering when Olympus offered their digicam division in late-2020.

Properly, surprise no extra, as the brand new OM-1 is the perfect digicam that OM Digital Options or certainly Olympus have ever produced, marrying the velocity of the E-M1X with the confirmed dealing with of the E-M1 III. If it is a signal of issues to come back, then Olympus followers actually haven’t any want to fret.

While outwardly the OM1 appears to be an identical to the EM1 Mark III, providing only a few enhancements together with the a lot improved viewfinder and LCD display and the welcome AF-On button, inside there are a complete raft of enhancements that focus primarily on one factor – velocity.

It might not provide any extra decision than the earlier mannequin, with the brand new proprietor of Olympus cameras resolutely sticking to twenty megapixels, however due to the brand new stacked picture sensor and quicker processor, the brand new OM-1 can shoot much more frames per second, detect much more topics and deal with them extra shortly and reliably, and course of pictures quicker than ever earlier than.

The video specs and all-round efficiency have additionally seen a great addition, and the already class-leading picture stabilisation and weather-proofing are even higher than earlier than.

The brand new OM Digital Options have seemingly addressed nearly each criticism that was levelled at each the E-M1 III and E-M1X, with the notable exception of the variety of megapixels, however that is one thing that we might fortunately settle for given all the opposite enhancements which have been made.

They do come at a literal value although – £1999 / $2199 body-only within the UK and US makes the OM-1 £200 / $400 dearer than the earlier E-M1 Mark III mannequin was at launch.

OK, so quite a bit has been happening within the three years because the E-M1 III was launched, besides and even with all of its many enhancements, the brand new OM-1 is undoubtedly costly for a Micro 4 Thirds digicam.

It actually faces some very stiff competitors at this price-point, most notably from the full-frame Sony Alpha A7 IV, the APS-C sensor Fujifilm X-T4, and the MFT Panasonic Lumix GH6, to not point out the likes of the Canon EOS R6 and the Nikon Z6 II.

General, although, if you happen to can look past the sensor measurement, the OM System OM-1 is one hell of a digicam, one that can actually please present Olympus house owners and which additionally deserves to broaden the system’s enchantment.

4.5 stars

Scores (out of 5)
Design 4.5
Options 5
Ease-of-use 5
Picture high quality 4.5
Worth for cash 4

Predominant Rivals

Listed beneath are a number of the rivals of the OM System OM-1.

The EOS R6 is the perfect ever Canon mirrorless digicam – there, we stated it! If you wish to discover out why, stick with it studying our in-depth Canon EOS R6 evaluation, full with full-size pattern images and movies.

The Nikon Z6 II mirrorless digicam is an evolutionary improve of the unique Z6, principally bettering the autofocusing, buffer and video and including a second reminiscence card slot. Is that this sufficient to compete with its fundamental rivals? Discover out now by studying our in-depth Nikon Z6 II evaluation, full with full measurement pattern images and movies…

The brand new OM-D E-M1 Mark III is a critical digicam for critical photographers, designed to showcase the perfect that Olympus has to supply. Within the more and more aggressive high-end digicam market, does it have what it takes to face out from the gang and appeal to new customers in addition to fulfill current ones? Learn our Olympus OM-D E-M1 Mark III evaluation to seek out out…

The a lot anticipated Panasonic GH6 is lastly right here! However what does this new flagship digicam provide, and might it actually enhance on the best-selling GH5? We discover out in our evaluation of the Panasonic Lumix GH6 mirrorless digicam, full with pattern images, take a look at photographs, movies and extra…

The Panasonic S5 is a model new hybrid full-frame mirrorless digicam that is equally as succesful at capturing each stills and video. In an ever extra crowded market, does the Lumix S5 provide sufficient to face out towards the likes of the Sony A7 III, Canon EOS R and Nikon Z6? Learn our in-depth evaluation of the Panasonic S5 to seek out out, full with full-size pattern images and movies.

The brand new Sony Alpha A7 IV is a brand new 33 megapixel, 4K/60p video, 10fps burst capturing, cutting-edge auto-focusing hybrid full-frame mirrorless mannequin that pulls no punches in its bid to be the one digicam that you just want. Discover out why we predict this is likely one of the greatest all-round cameras of 2021 by studying our in-depth Sony A7 IV evaluation…

Assessment Roundup

Critiques of the OM System OM-1 from across the internet.

The OM System OM-1 pushes Micro 4 Thirds cameras ahead with a Stacked CMOS sensor. It’s a powerful improve for E-M1 Mark III house owners, due to better-feeling controls, a refreshed interface, and a sturdy computational toolset.

Learn the total evaluation »

I’ve been an Olympus and Micro 4 Thirds consumer since I bought a used E-M5 in 2016. I really like Olympus, and like many others was unhappy to listen to the information when the corporate’s photograph division got here to an finish. There was a number of hypothesis and nervousness over what JIP would do with the enterprise, however the rebranding to OM Digital inspired confidence. Since then, I’ve eagerly awaited the brand new firm’s first digicam. And now we now have it: the OM System OM-1.

Learn the total evaluation »

Specs

Kind

  • Physique materials

    Magnesium alloy physique

  • Lens mount

    Micro 4 Thirds

Picture Sensor

Engine

Filter

  • Mud discount filter

    Supersonic Wave Filter

Viewfinder

  • Kind

    Electronical Viewfinder

  • Pixel quantity

    5760K dots

  • Diopter adjustment

    Outfitted ‑4.0 ‑ +2.0 diopters / constructed‑in kind

  • Angle of view

    Approx. 100%

  • Magnification

    Max. 1.65x with a 50mm lens set to infinity at ‑1 dioptre (relying on chosen viewfinder type)

  • Eye level

    21mm at ‑1 dioptre from eyepiece lens

  • Model

    3 types selectable

  • Brightness adjustment

    Adaptive Brightness Expertise / Handbook settings: +/‑ 7 ranges

  • Correction of color temperature

    +/‑ 7 ranges

  • S-OVF

    Expands the Dwell View dynamic vary

  • *Obtainable within the EVF when in P, A, S, M and B modes. Artwork filter, WB and publicity aren’t mirrored in EVF.

Dwell View

  • Area of view

    Approx. 100%

  • Magnification ranges

    3 / 5 / 7 / 10 / 14x

  • Dynamic vary enlargement

    When in HDR1 or HDR2

Picture Stabiliser

  • Kind

    Sensor shift

  • Modes

    5‑dimensional, vertical or horizontal activation, computerized

  • Efficient Compensation Vary

    As much as 8 EV steps* (Sync IS)

  • As much as 7 EV steps*

  • Based mostly on CIPA measurement situations

  • *When utilizing M.Zuiko Digital ED 12‑40mm f/2.8 PRO (focal size =40mm (35mm equal: 80mm))

  • *When utilizing the M.Zuiko Digital ED 150‑400mm F4.5 TC1.25x IS PRO. Focal size: 150mm (35mm equal: 300mm), midway launch picture stabilisation Off, Body price: Excessive

  • Dwell View stabilisation

    Obtainable

Focusing System

  • Technique

    TTL part distinction detection system, distinction detection system

  • Focus areas

    1053 factors / cross‑kind part detection AF

  • 1053 factors / distinction AF

  • All goal, Single goal (1 level), Small goal (9 factors), Cross goal (39 factors), Center goal (63 factors), Giant goal (165 factors) , Customized goal* (AF space and its increment steps selectable)*Variety of saved customized goal settings: 4

  • AF working vary

    ‑8 – 19EV (ISO approx.100, with a f/1.2 lens)

  • AF lock

    Obtainable; Locked by first place of shutter launch button in single AF mode, AE/AF lock button (customised)

  • Separate AF-On button

    Obtainable

  • Modes

    • Handbook focus
    • Preset MF**
    • Single AF*
    • Steady AF*
    • AF* Monitoring
    • Stacking
    • Bracketing
  • * incl. handbook override

  • ** Distance setting values are tough estimates and solely AF lenses can be utilized.

  • AF illuminator

    Outfitted

  • Handbook focus

    Obtainable; With enlarged focusing space, focus peaking and focus indicator

  • Face Detection extension

    • Eye Detect AF: Off
    • Left aspect precedence
    • Close to aspect precedence
    • Proper aspect precedence
  • Predictive AF

    Obtainable

  • AF monitoring

    Obtainable; Obtainable in steady AF mode

  • Focus peaking

  • Color choice

    White, black, pink, yellow

  • Depth

    Excessive / Regular / Low

  • Again gentle impact

    On / Off

  • Focus Bracketing Mode

  • Variety of pictures

    3 – 999 photographs

  • Step measurement

    10 ranges

  • Suitable with: All Micro 4 Thirds AF lenses

  • Focus Stacking Mode

  • Expertise

    3‑15 pictures are taken at completely different focus factors and robotically composited collectively right into a single picture

  • Suitable with: M.Zuiko Digital ED 60mm F2.8 Macro, M.Zuiko Digital ED 30mm F3.5 Macro, M.Zuiko Digital ED 7‑14mm F2.8 PRO, M.Zuiko Digital ED 8‑25mm F4 PRO, M.Zuiko Digital ED 8mm F1.8 Fisheye PRO, M.Zuiko Digital ED 12‑40mm F2.8 PRO, M.Zuiko Digital ED 12‑40mm F2.8 PRO II, M.Zuiko Digital ED 12‑45mm F4 PRO, M.Zuiko Digital ED 12‑100mm F4 IS PRO, M.Zuiko Digital ED 40‑150mm F2.8 PRO, M.Zuiko Digital ED 40‑150mm F4.0 PRO, M.Zuiko Digital ED 100‑400mm F5.0‑6.3 IS, M.Zuiko Digital ED 150‑400mm F4.5 TC1.25x IS PRO, M.Zuiko Digital ED 300mm F4 PRO

  • M.Zuiko Digital 1.4x Teleconverter MC‑14, M.Zuiko Digital 2x Teleconverter MC‑20

  • Angle of view turns into barely smaller

  • AF focusing on pad

    Obtainable (activate/deactivate with double faucet on rear monitor)

  • Clever Topic Detection AF

    • Aircrafts
    • Bullet trains
    • Birds
    • Cats
    • Canine
    • System vehicles
    • Helicopters
    • Bikes
    • Ralley vehicles
    • Commonplace trains
    • Steam locomotives
  • Focus restrict

    Obtainable

Publicity System

  • Modes

    • Programme computerized
    • Aperture precedence
    • Shutter precedence
    • Handbook
    • Bulb
    • Time
    • Film
    • HDR
    • Customized capturing
    • Customized 1
    • Customized 2
    • Customized 3
    • Dwell Composite
  • Publicity compensation

    +/‑ 5 EV (1, 1/2, 1/3 steps)

  • Word: Monitor and EVF shows solely as much as ±3 EV.

  • Publicity bracketing

    2 / 3 / 5 frames (+/‑ 1/3, 2/3, 1 EV steps)

  • 7 frames (+/‑ 1/3, 1/2, 2/3 EV steps)

  • ISO bracketing

    3 frames (1/3, 1/2, 1 EV steps)

  • AE lock

    Obtainable

  • Shadow Adjustment Expertise

  • Flicker Scan: Obtainable for M, S and silent mode (may be confirmed in Dwell View)

  • HDR bracketing

    3 / 5 frames (+/‑ 2 / 3 EV steps)

  • 7 frames (+/‑ 2 EV steps)

  • Anti-Flicker Taking pictures operate

    Obtainable

Multi-Publicity

  • Max. variety of frames

    2 frames (capturing)

  • 3 frames (modifying)

  • Auto acquire management

    Obtainable

  • Body help

    Dwell View

Gentle Metering

  • Technique

    TTL open aperture gentle metering

  • Zones

    324 zones Multi‑sample Sensing System

  • Detection vary

    ‑2 ‑ 20 EV (f2.8, ISO 100)

  • Modes

    • ESP gentle metering
    • Spot metering
    • Centre weighted metering
    • Spotlight
    • Shadow
  • Histogram in capturing mode

    Obtainable

Artwork Filter

  • Modes

    • Pop Artwork
    • Smooth Focus
    • Pale & Gentle Color
    • Gentle Tone
    • Grainy Movie
    • Pin Gap
    • Diorama
    • Cross Course of
    • Dramatic Tone
    • Light Sepia
    • Key Line
    • Water color
    • Classic
    • Partial Color*
    • Bleach Bypass
    • Instantaneous Movie
  • Variation / Impact

    Obtainable

  • Artwork Filter bracketing

    Artwork Filters selectable

  • * 18 colors selectable

Sensitivity

Shutter

Shutter Speeds

  • Shutter velocity vary

    1/8000 ‑ 60s (in 1/3, 1/2, 1 EV steps)

  • Bulb mode

    As much as half-hour (selectable longest time within the menu, default: 8 minutes)

  • Excessive res shot

  • Shutter kind

    Digital shutter

  • Shutter velocity

    1/8000 ‑ 60s

  • Begin delay

    0, 1/8, 1/4, 1/2, 1, 2, 4, 8, 15. 30s

  • Decision

    JPEG: 10368×7776 / 8160 x 6120 / 5760 x 4320 RAW: 10368 x 7776

  • Equal to 80M / 50M / 25M pixel sensor (8 photographs mixed right into a single JPEG utilizing sensor shift)

  • Obtainable in P/A/S/M mode

  • Handheld Excessive res shot

  • Shutter kind

    Digital shutter

  • Shutter velocity

    1/8000 ‑ 60s

  • Decision

    JPEG: 8160 x 6120 / 5760 x 4320 RAW: 8160 x 6120

  • Equal to 50M / 25M pixel sensor (8 photographs mixed right into a single JPEG utilizing sensor shift)

  • Obtainable in P/A/S/M mode

  • Flash can’t be used

  • Anti-shock mode

  • Shutter kind

    Digital first curtain shutter

  • Shutter velocity

    1/320* ‑ 60s

  • Begin delay

    0, 1/8, 1/4, 1/2, 1, 2, 4, 8, 15, 30s

  • * For speeds over 1/320 sec., mechanical shutter will robotically be chosen.

  • Silent mode

  • Shutter kind

    Digital shutter

  • Shutter velocity

    1/32000 ‑ 60s

  • Begin delay

    0, 1/8, 1/4, 1/2, 1, 2, 4, 8, 15. 30s

  • Flicker Scan

  • Stills

    1/7634 ‑ 1/50s

  • Motion pictures

    1/250 ‑ 1/30s *

  • * Body charges better 30fps are restricted to their reciprocal worth

White Steadiness

  • Handbook White steadiness (One-Contact)

    Obtainable

  • White steadiness bracketing

    3 frames / +/‑ 2, 4, 6 mired steps

  • One-touch white steadiness

    4 customized settings may be registered

  • Customized WB

    1 setting may be registered at Kelvin temperature (2000K ‑ 14000K)

  • Preset values

    • Tungsten
    • Flourescent 1
    • Daylight
    • Flash
    • Overcast
    • Shade
    • Underwater
  • Auto Flash adjustment

    Off / Auto WB / Flash

  • Maintain heat color

    On / Off

Sequence Taking pictures

  • Velocity

    Approx. 10fps (selectable 1‑10fps)

  • Anti-shock mode

  • Velocity

    Approx. 10fps (selectable 1‑10fps)

  • Silent mode

  • Velocity

    Approx. 20fps (selectable 5, 10, 15, 20fps with blackout)

  • Velocity SH1*

    Approx. 120fps (selectable 60, 100, 120fps with out blackout)

  • Velocity SH2* **

    Approx. 50fps (selectable 25, 50fps with out blackout)

  • Professional Seize mode

  • Velocity*

    Approx. 20fps (selectable 5, 10, 15, 20fps)

  • Velocity SH1*

    Approx. 120fps (selectable 60, 100, 120fps)

  • Velocity SH2* **

    Approx. 50fps (selectable 25, 50fps)

  • *Slower shutter speeds and flash can’t be used

  • *Suitable lenses are restricted.

  • Max. variety of frames

    All values are approximate

  • Situations

    Reminiscence card: Toshiba SDXU‑D032G with commonplace card setting in slot 1

  • When utilizing the M.Zuiko Digital ED 12‑40mm F2.8 PRO II

  • Low ISO processing: Precedence is given to sequential capturing

  • 10fps

    RAW: 139 / JPG (LF): 169

  • 20fps

    RAW: 108 / JPG (LF): 116

  • 50fps

    RAW: 96 / JPG (LF): 97

  • 120fps

    RAW: 92 / JPG (LF): 92

  • Suitable lenses to SH2 (50fps)

    M.Zuiko Digital ED 12‑40mm F2.8 PRO, M.Zuiko Digital ED 12‑40mm F2.8 PRO II, M.Zuiko Digital ED 12‑100mm F4.0 IS PRO, M.Zuiko Digital ED 40‑150mm F2.8 PRO, M.Zuiko Digital ED 150‑400mm F4.5 TC 1.25x IS PRO, M.Zuiko Digital ED 300mm F4.0 IS PRO

Picture Processing

  • Color area

    sRGB / AdobeRGB

  • Sharpness + Distinction

    5 ranges

  • Distinction

    5 ranges

  • Saturation

    5 ranges

  • Black & White filter

    Yellow, Orange, Purple, Inexperienced

  • Black & White firming

    Sepia, Blue, Purple or Inexperienced in Black & White mode

  • Gradation

    4 ranges (auto, excessive key, regular, low key)

  • Artwork Filter bracketing

    Obtainable

  • Tele converter impact

    2x

  • Fisheye compensation

    Obtainable when M.Zuiko Digital ED 8mm Fisheye PRO is connected Angle of view adjustable in 3 ranges Compensation robotically ON when utilizing Underwater Modes, out there (may be confirmed in Dwell View)

  • Spotlight & Shadow management

Exterior Flash Management

  • X-sync velocity

    1/250s / 1/8000s (Tremendous FP Mode)

  • Kind

    TTL AUTO, AUTO, MANUAL, FP TTL AUTO, FP MANUAL

  • Suitable exterior flash

    FL‑LM3, FL‑600R, FL‑900R, STF‑8, FL‑700WR

  • Modes

    • Auto
    • Purple-eye discount
    • Sluggish synchronisation
    • 2nd curtain and gradual synchronisation
    • Fill-in for unique flash
    • Handbook
  • Depth

    +/‑ 3 EV (1/3, 1/2, 1 EV steps)

  • Word: Some features are solely out there if they’re supported by the exterior flash.

Wi-fi Flash Management

  • Variety of channels

    4 channels

  • Suitable exterior flash

    FL‑LM3, FL‑600R, FL‑900R, STF‑8, FL‑700WR

  • Management technique

    Triggered and managed (Olympus Wi-fi RC Flash system)

  • Group setting

    4 teams

  • Obtainable when used along with cameras suitable with the Olympus wi-fi RC flash system.

  • Suitable commander

    FC‑WR, FL‑700WR

  • For extra particulars see specs of commander models.

  • Suitable receiver

    FL‑700WR, FR‑WR + wi-fi RC system flash

  • Radio management

  • 3 teams

  • Radio wi-fi management

    Obtainable when attaching elective flash commander.

  • Variety of channels

    4 channels

  • Modes

    • Auto
    • FP TTL Auto
    • Handbook
    • TTL Auto
    • FP Handbook

Monitor

Degree Gauge

Tremendous Management Panel

  • Displayed info

    • Battery indicator
    • Document mode
    • Shutter velocity
    • Aperture worth
    • Publicity compensation indicator
    • ISO
    • AE bracketing
    • AF body
    • Focus mode
    • AEL notification
    • Face detection
    • Variety of storable frames
    • Metering mode
    • Publicity mode
    • Publicity degree view
    • Flash compensation worth
    • Color area
    • Gradation
    • Color saturation compensation worth
    • Sharpness compensation worth
    • Distinction compensation worth
    • White steadiness
    • White steadiness compensation worth
    • Noise discount
    • Flash mode
    • Drive mode
    • Inner temperature warning
    • Histogram

Recording Codecs

Picture Measurement

Nonetheless Picture Recording

  • EXIF

    2.31

  • DCF

    Utilized

  • RAW

    Utilized

  • Twin SD card settings

    Commonplace, Auto Change, Twin Impartial, Twin Similar

  • When two playing cards are inserted, card to be saved onto or to be considered may be designated.

Film Recording System

  • Recording format

    MOV(MPEG‑4AVC/H.264)/ MOV (HEVC/H.265)

  • Image mode

    Flat, OM‑Log400, HLG (View help suitable)

  • Time code

    Rec run / Free run

  • Drop body / Non‑drop body

  • Picture Stabilisation Mode

    Utilized Sensor shift (5‑axis)

  • M‑IS1 (Picture sensor shift and digital picture stabilizer with multi movement IS)

  • M‑IS2 (Picture sensor shift with multi movement IS)

  • MOV(MPEG-4AVC/H.264)

  • 4096×2160 (C4K)

    30p, 25p, 24p / LongGOP (approx. 102 Mbps)

  • 60p, 50p / LongGOP (approx. 202 Mbps)

  • 3840×2160 (4K)

    30p, 25p, 24p / LongGOP (approx. 102 Mbps)

  • 60p, 50p / LongGOP (approx. 202 Mbps)

  • 1920×1080 (FHD)

    30p, 25p, 24p / ALL‑I (approx. 202 Mbps)

  • / LongGOP (approx. 27 Mbps)

  • 60p, 50p / LongGOP (approx. 52 Mbps)

  • MOV (HEVC/H.265)

  • 4096×2160 (C4K)

    30p, 25p, 24p / LongGOP (approx. 77 Mbps)

  • 60p, 50p / LongGOP (approx. 152 Mbps)

  • 3840×2160 (4K)

    30p, 25p, 24p / LongGOP (approx. 77 Mbps)

  • 60p, 50p / LongGOP (approx. 152 Mbps)

  • 1920×1080 (FHD)

    30p, 25p, 24p / ALL‑I (approx. 82 Mbps)

  • / LongGOP (approx. 22 Mbps)

  • 60p, 50p / ALL‑I (approx. 162 Mbps)

  • / LongGOP (approx. 42 Mbps)

  • Most Recording Time

    Limitless

  • Publicity Modes

    • Aperture precedence
    • Handbook
    • Programme computerized
    • Shutter precedence
  • Class 10 or larger SD card is really helpful for film capturing

  • UHS‑II or UHS‑I U3 card is really helpful for ALL‑I capturing

Film Specialties

  • Excessive-Velocity Recording

    1920×1080 (MOV) / 240fps

  • Time lapse

    4k, 1080p, 720p / 5, 10, 15, 30fps

  • Max. variety of frames: 9999

  • Quick movement

    Obtainable

  • Sluggish movement

    Obtainable

  • Artwork Filter

    • Cross Course of
    • Diorama
    • Dramatic Tone
    • Instantaneous Movie
    • Water color
    • Light Sepia
    • Grainy Movie
    • Key Line
    • Gentle Tone
    • Pale & Gentle Color
    • Pin Gap
    • Pop Artwork
    • Smooth Focus
    • Classic
    • Partial Color*
    • Bleach Bypass
  • Body price might drop when utilizing sure artwork filter

  • Flicker Scan

    Obtainable in M mode (may be confirmed in Dwell View)

  • HDMI Dwell View

  • Monitor / Document / RAW

  • Monitor mode

    Video sign and information show is processed

  • In monitor mode, the picture can’t be enlarged on the digicam when a film is being recorded.

  • Document mode

    Solely video sign is processed

  • In report mode, film high quality may be set to YCbCr 4:2:2 (8 bit).

  • When recording concurrently within the digicam in 4K/C4K/FHD HS, 4:2:0 is upsampled to 4:2:2.

  • In RAW mode, output video high quality is 4K/C4K 12bit RAW knowledge, body price follows film setting, and sound can be recorded.

  • ProRes RAW 4:4:4 12bit is supported

  • 1920×1080 / 120fps

  • 1920×1080 / 100fps

Sound Recording System

  • Inner microphone

    Stereo

  • Recording format

    Top quality sound recording (Stereo linear PCM/24‑bit, Sampling frequency 96kHz)

  • Stereo PCM/16bit, 48kHz, Wave Format Base

  • Picture footage

    30s

  • Speaker

    Outfitted

  • Microphone features

    • Wind Noise Discount
    • Recording Quantity
    • Quantity limiter

View Pictures

Erase / Defend / Copy Perform

  • Erase modes

    Single, All, Chosen

  • Picture shield mode

    Single body, Chosen frames, All Frames, Launch shield (Single/All chosen)

Picture Enhancing

  • Enhancing features

    • RAW knowledge edit
    • Purple-eye discount
    • Sepia
    • Black & White
    • Resize
    • Correction of saturation
    • Correction of brightness
    • Correction of color steadiness
    • Shadow Adjustment
    • Trimming
    • Facet ratio

Menu

  • Menu languages in digicam

    English, French, German, Spanish, Italian, Japanese, Conventional Chinese language, Simplified Chinese language, Russian, Czech, Dutch, Polish, Portuguese, Swedish, Norwegian, Finnish, Slovak, Thai

Customisation Choices

Interface

  • Media

    SD Reminiscence Card (SDHC, SDXC, UHS‑I, UHS‑II suitable) Class 10 or larger SD card is really helpful for film capturing UHS‑II or UHS‑I U3 card is really helpful for 4K, C4K, ALL‑I capturing.

  • HDMI™

    Utilized Micro connector (Kind D) *

  • * “HDMI”, the HDMI brand and “Excessive‑Definition Multimedia Interface” are logos or registered logos of HDMI Licensing LLC.

  • USB 3

    Kind C

  • Wi-fi connectivity

  • Communication technique

    Bluetooth® Low Vitality Ver.4.2

  • SAR

    0.52W/kg

  • SAR quantifies the utmost degree of publicity of the consumer to electromagnetic waves, when utilizing the gadget near the pinnacle.

  • SAR shall not exceed 2W/kg in accordance with laws of France.

  • Wi‑Fi is a registered trademark of the Wi‑Fi Alliance.

  • The Bluetooth® phrase mark and logos are registered logos owned by the Bluetooth SIG, Inc. and any use of such marks by OLYMPUS CORPORATION is beneath license.

  • Tethered management

    Obtainable USB cable (digicam operation by each PC or digicam controls)

  • Wi‑Fi (switch of recorded pictures to PC through entry level, 5GHz and a couple of.4GHz out there)

  • Microphone jack

    3.5 ø mm mini‑jack

  • Earphone jack

    3.5 ø mm mini‑jack

  • Synchro socket

    Outfitted

Wi-Fi Features

  • Straightforward Connection

    QR code setting

  • Wi-fi Taking pictures

    • Dwell View
    • Energy off
    • Rec View
    • Self timer
    • Contact AF & Shutter
    • P/A/S/M publicity modes
    • Bulb mode
    • Zoom
    • Film recording
    • Dwell Composite
    • Quick film

Energy Provide

  • Battery

    BLX‑1 Lithium‑Ion Battery

  • Sleep mode

    1, 3, 5min. and off selectable.

  • Inner Charging

    USB

  • USB charging

    Efficiency varies relying on completely different USB units

  • USB bus energy

    USB PD bus energy can be utilized (PD compliant digicam: Rev 3.0 Ver 1.0a)

  • Battery life

  • Picture capturing

    520 photographs (utilizing BLX‑1 beneath CIPA testing situations) 1100 photographs (utilizing fast sleep mode, beneath Olympus testing situations based mostly on CIPA take a look at requirements)

  • Film recording

    90min (commonplace JEITA situations) 160min (when zoom and different operational features aren’t used)

  • * Word: Values are approximate.

Setting

Dimensions / Weight

Exterior

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